Information As Material
Price FREE
Year 2015
Edition unlimited PDF
Pages 48pp
Download Via the Eclipse Archive, here
This two part document opens with a long introductory essay about some of the many and often paradoxical (if not contrary) cultural values ascribed to the concept of nothing by radical art in the modern and contemporary periods. The second section offers a preliminary bibliography of key readings that frame our ideas of nothing and nothing-ness as they relate to contemporary art practice, divided into three sub-sections: ‘Thinking Nothing of It’ gathers modern philosophical perspectives from various cultural traditions on the idea of nothing; ‘Nothing to Show for It’ gathers the opinions of art theorists and historians who have considered the dilemmas of representing nothing in the context of the plastic arts; and ‘The Empty Set’ gathers example declarations and statements of action by artists and curators who have tried to produce absences, removals, voids and nearly too little.
Throughout, choice pull quotes and a range of cross-references that link the visual, sonic, performance and literary traditions through a shared commitment to conceptualist making, map a clear genealogy. This is ‘A User’s Manual’, to be freely downloaded and freely expanded by anyone who so wishes.
Nothing: A User’s Manual
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Portfolio
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13 March 1911
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Def.
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Weaving Language
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Catch-words
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On the Literary Means of Representing the Powerful as Powerless
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Perfect Love
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Last Words
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Reading Matters
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Eulogy for David Antin in English English
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Calvariae Disjecta: The many hauntings of Burton Agnes Hall
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Reading as Art
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Twelve Erroneous Displacements and a Fact
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Cartography for Girls
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Correcciones
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Magritte for Cheerleaders
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(Expanded Second Edition)
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Nothing: A User’s Manual
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Getting Inside Simon Morris’ Head
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Spanish Do or DIY translation
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German Do or DIY translation
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The Nabokov Paper
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I, Sparkie
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Dis Manibus: A Taxonomy of Ghosts from Popular Forms
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Learn to Read Differently
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Of the Subcontract, Or Principles of Poetic Right
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Page 141 2
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Jaap Blonk, Poet-in-Residence at Shandy Hall
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Garry Neill Kennedy, Artist-in-Residence at Shandy Hall
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Freud on Holiday: Appendices III and IV, plus full wrapped set
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Pigeon Reader
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Enchiridion: three manoeuvres by Tim Brennan in NE Scotland
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Do or DIY – exhibition 2
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Do or DIY – pocketbook
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Do or DIY – exhibition 1
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Sucking on Words poetry readings
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The Man Booker Shortlist Quiz!
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Reisen II
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Exercise in Pathetic Criticism
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The Persons
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Freud’s Weather
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Howl #16
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Have a Peck at Perec, tote bag
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Frued’s Dining
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Bibliomancy: Lotsa Fun For All The Family
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The Forgetting of a Proper Name
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Summer School for Literary Perverts
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Poetry Readings in Leeds
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Instruction Manual
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information as material residency
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Re-Writing Freud app
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Getting Inside Jack Kerouac’s Head
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Making Nothing Happen DVD
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The Perverse Library
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The Perverse Library exhibition
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Robert Fitterman & Kim Rosenfield Residency
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Freud and the Gift of Flowers
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Reisen I
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THE IDEOLOGY OF DAVID CAMERON’S PARTY
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Marie-Josée Jean & Klaus Scherübel Residency
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THE DIE IS CAST
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He
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Historico-naturalis et Archaeologica ex Dale Street
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Craig Dworkin Residency
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The Voice and Nothing More: an academic mash up
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Spinning Vol. II: De-Centering the Self
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A Perverse Library
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An Agent of the Estate
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A Disturbance of Memory
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Iam Survey Exhibition
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A One Day Bookshop for Experimental Literature
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Kenneth Goldsmith Residency
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sucking on words DVD
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Historia Abscondita (An Index of Joy)
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L’esprit d’escalier
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We Report Here
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Deciphering Human Chromosone 16: Index to the Report
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Flatland: A Romance of Many Dimensions
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Reading the Remove of Literature
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Thesaurus Scienta Lancastriae
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Freud Dreams of Rome
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Re-Writing Freud
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The Answer to the Question
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Royal Road to the Unconscious
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bibliomania 2000-2001
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Interpretation vol.I
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Interpretation vol. II
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bibliomania 1998-1999