Wroclaw Museum of Contemporary Art
May 23, 2014.
MWW, pl. Strzegomski 2a, 53-681 Wrocław, Poland
Nick Thurston spoke at a one-day conference on the histories of DIY zine and book publishing in Poland and England from the 80s to present day, convened by Sylwia Serafinowicz, Chief Curator of Collections at Wroclaw Museum of Contemporary Art (MWW).
Simon Morris invited to guest lecture at Ravenstein Seminar 2014: Materiality of Literature, in Amsterdam organized by Utrecht University and OSL on the invitation of Professor Kiene Brillenburg Wurth, 5-7 February 2014.
On the 26 October 2013 Simon Morris delivered a lecture on conceptual writing at the Warsaw Museum of Modern Art as part of the The Book Lovers.
Long-term project about artist novels
Curated by David Maroto and Joanna Zielinska
The Book Lovers is a systematic attempt to study the phenomenon of artist novels. The central question is: what are the consequences when we accept the novel as an art form in its own right?
In February 2013 Simon Morris completed a brief lecture tour in the USA, talking about experimental literature. The itinerary included:
Kelly Writers House, University of Pennsylvania, as part of the ‘Writers without Borders’ series (Monday 4th February 2013)
Cabinet Magazine, New York City (Tuesday 5th February 2013)
Harvard University on the invitation of Professor John Hamilton‘s Renato Pogglio Memorial Colloquium Series (Wednesday 6th February 2013)
Corner College, Kochstrasse 1, CH-8004, Zürich, Switzerland.
Monday 29 October, 2012
Soup and drinks served.
A one-off reading at Corner College, Zurich, curated by Romy Rüegger and Lucie Kolb with Stefan Wagner. An event programmed in connection with an invited two-day seminar series led by Nick at Zürcher Hochschule der Künste, Zurich, for the MFA Fine Art programme.
Exhibition 8 November 2012- 23 March 2013
Les Abattoirs, Toulouse Museum of Modern and Contemporary Art + touring, curated by Jérôme Dupeyrat and Maïwenn Walter
In an interview with Willoughby Sharp made in 1973, Ed Ruscha said about the artist’s books he published in the sixties that all his work aimed for producing “a kind of ‘huh?’:
— I realized that for the first time this book had an inexplicable thing I was looking for, and that was
a kind of « huh? » That’s what I’ve always worked around. All it is is a device to disarm somebody
with my particular message. Lots of artists use that.
— Give me some examples of « Huh? »
— I don’t know, somebody digging a hole out in the desert and calling it sculpture…
“Huh?” : this onomatopoeia stands for “What is it?”, “Why?”, “What does it mean? etc.”
Museum of Contemporary Art Denver
The exhibition will be traveling to The Power Plant Contemporary Art Gallery in Toronto, Canada, in June 2013.
Postscript: Writing After Conceptual Art features the work of over fifty artists and writers exploring the artistic possibilities of language. Presenting works from the 1960s to the present, the exhibition includes paintings, sculpture, installation, video and works on paper that raise questions about how we read, look at, hear, and process language today. A major current underlying the exhibition argues that the field of literature known as “conceptual writing” can be seen as engaging in a provocative dialogue with the field of contemporary art, producing new insights into the meaning of both literature and art. Co-curated by Nora Burnett Abrams and Andrea Andersson, Postscript is the first exhibition to examine the work of conceptual writing, investigating the roots of the movement in the art of the 1960s and 70s and presenting contemporary examples of text-based art practices.